Dubstep has changed everything. Absolutely everything. It’s crept up from nowhere (i.e. Croydon), turning club music upside down and inside out. It’s confounded theorists at every step and short-circuited old oppositions between street and geek, populist and avant-garde, innovation and tradition, even between what boys and girls are expected to like. It’s provided the missing link between disparate subcultures, reminding us that however rhythms change, raving is still raving. And it continues to change things.

Don’t Panic has an interesting article on Dubstep wondering if Croydon is the new Detroit. Provocative title, but it’s a good read about the qualities and pace of dubstep’s evolution.

Natalie Storm has been redefining “versatility” these days. Following up a Mixpak single that Ludacris and Nicki Minaj totally jumped on (no offense Luda, but you jacked that beat) and a glitchy So Shifty & Ward 21 collaboration, Natalie comes out with infectiously addictive “Piano Man” which you can grab courtesy of the Heatwave blog.

[Audio: http://www.theheatwave.net/blog/NatalieStorm-MrPianoMan.mp3]
Natalie Storm – Mr. Piano Man

Check Dre Skull tomorrow night at the Let Your Body Take Control party in Philadelphia. He’ll be playing along side Dev79, Si Young, Beam & Deem and MC Buddy Leezle. If you’re unfamiliar with the crew, check the catalog. Full party details at Seclusiasis.

Watch this 20 minute documentary on the history and culture significance of the Amen Break (the break from The Winston’s “Amen, Brother”). It’s amazing what kind of impact a 5.20 seconds long, four bar drum loop can have.

[via Tommie Sunshine]

Check Dre Skull tomorrow night at the Let Your Body Take Control party in Philadelphia. He’ll be playing along side Dev79, Si Young, Beam & Deem and MC Buddy Leezle. If you’re unfamiliar with the crew, check the catalog. Full party details at Seclusiasis.